It is in the ancestral assimilation of the human, the divine, and the animal where the impulses reflected on the cyclical principles of origin, transformation, and destruction converge. The representation of the amorphous, of simultaneous duality, and of the erotic perception of the body contains conscious and unconscious impulses that set up connections between Pre-Columbian cosmogony and the sensorial-affective universes of the present.
The configuration of rituals and icons has consolidated the established narratives as exalted expressions of elemental appetites and instincts. The appropriation and displacement of such images makes it possible to understand official discourses against the grain, while being able to identify ourselves with the desires and aspirations that shape them.
